Showing posts with label classical/experimental. Show all posts
Showing posts with label classical/experimental. Show all posts

Sunday, March 8, 2015

The Psample-delic Psounds of Carl Stone's "Four Pieces"

If you think sampling in music means MC Hammer looping "Super Freak," you gotta another think coming: Los Angeles legend Carl Stone has been using custom software to spin complex, beautiful webs out of found sounds since before most people even owned a computer. The closest comparison to another composer one might make would be to John Oswald and his Plunderphonics, but Oswald often hits with an ADD-addled aggressiveness. Stone takes a more trance-inducing path that sometimes approaches Minimalism, but the results are still too thorny to ever function as yoga music.

Track #1 "Wall Me Do" is not, as the title suggests, a Pink Floyd/Beatles mash-up. The title, like most of Stones' titles, comes from an LA area Asian restaurant. It's glitchy electronica, not unlike Aphex Twin, but years before the fact. #2 is pretty funny, slicing and dicing that classical classic "Pictures at an Exhibition" into an increasingly unrecognizable delirium.  #3 ("Shing Kee") from 1986 hypnotically loops unidentified sounds (inc female vocals) into dreamy gorgeousness; tho reminiscent of Frippertronics and Steve Reich's early tape-loop works, the gradually unfolding patterns bear the stamp of Stone's original style. Play this with the lights out, glass of red wine in hand. Aaahhh... And #4 is Stone sampling himself, in this case remixing #1. I actually prefer it to #1 - it's all Minimalistic grooviness, but with no predictable looping and phasing.

Carl Stone - Four Pieces (1986-1989)

I was happy to see that Stone is performing live this March 22 with LA Free Music Society vets Tom Recchion and Joseph Hammer. Those two have been using extreme turntablism and tape-loop tomfoolery to great effect for as long as Stones' been tweaking his Macs. Don't think Stone was ever actually a member of the LAFMS, but note that Recchion designed the insert to this album.  And the two used to rule the KPFK airwaves in the 1980s with back-to-back (Tuesday night?) shows, Stone with "Imaginary Landscapes" and Recchion's "Soundings II, aka the Tom and Tony Show." Between Stone's alt classical-to-Yma Sumac approach and Tom 'n' Tony's avant-tarde mix of free noise, kitschy thrift-store records, and live antics (e.g. playing the entirety of "Sgt Pepper" on fast-forward when the CD was first released), Young Master Fab's mind was suitably re-aligned. Tom Waits said he wept when he first heard Gavin Bryars' "Jesus Blood Never Failed Me Yet" (which Waits would later sing) on LA radio in the '80s. 'Twas on "Imaginary Landscapes" - I was listening that night, too.


Sunday, November 16, 2014

THE CLASSICS PLAYED ON 57 WINE GLASSES

I am quite delighted to announce that the crucial WFMU show "Bodega Pop" will devote all three hours of its weekly programming to this here web-log as our 10th anniversary festivities continue. This Wednesday 7:00PM Eastern time on Woof-Moo's "Give The Drummer Some" stream (not the over-the-air broadcast) the party commences. Your host-with-the-most Gary Sullivan helms a blog also called "Bodega Pop", and its tales of international music-collecting derring-do fills me with insane envy. Damn, this guy's got a great collection. And now, my latest Bandcamp discovery:

AllMusic said about today's album: "In the running for strangest novelty item of the year [2007], A Drop in the Glass is nevertheless an impressive display of musicality." Indeed. GlassDuo from Poland have constructed what they claim is the world's largest wine glass instrument, some 57 pieces strong.  Yes, wine glasses. You know how you can wet your finger and rub it along the rim of the glass to produce a musical, if somewhat squeaky, tone? Well, these two have taken this old idea to a virtuoso level. Mussorgsky's "Pictures At An Exhibition" is one of those classical war-horses that I'd never really given much thought to, but that was before I heard the familiar opening "Promenade" performed on something I am now drinking out of.



Other highlights: Chopin's "Prelude" (tho I prefer Serge Gainsbourg's remake "Jane B"), the clanging of metal percussion (a trash can, perhaps?) halfway into "Great Gate of Kiev", and the medley of hits from Grieg's proto-goth "Peer Gynt." After a while you may forget the unusual methods used to produce these sounds, and just listen to it for it's musical merits. It's available for purchase, or listen to the free stream:

GlassDuo: "A Drop In The Glass"

An mp3 for ya: 

GlassDuo: "In The Hall of the Mountain King" (excerpt from track 10)

I'm finally listening to some proper classical music. My mother will be so proud.

Wednesday, October 8, 2014

UnPop Music - A MusicForManiacs Sampler

All music that isn't classical, jazz or ethnic/folk is 'pop', meaning 'popular.' Except when it isn't. Here are some new releases you should run out and buy (and some not-so-new ones that I slept on) that have everything a pop song should have: brevity, melodic vocals, toe-tappin' beats, clean production, energy...heck, even danceability. Everything except actual popularity. Mostly these are tuneful tunes sporting very funny, clever lyrics (perhaps too witty for the masses), with a kouple of kooky kovers thrown in.

UnPop Music - A MusicForManiacs Sampler

1. ac00perw - "Smells Like Teens": Nirvana re-imagined as sleazy Steely Dan-type '70s soft-rock.
2. Iggy Pop - "Monster Men (les zinzins de l'espace)": In 1997, The Iggster sang the theme song to a French kid's cartoon show called "Space Goofs;" how punk is that?!
3. Jens Lekman - "A Higher Power": great bad rhymes, from this Scandanavian's 2004 album entitled (speaking of Iggy) "When I Said I Wanted To Be Your Dog."
4. Larry Gallagher - "I'm Sorry for What My People Did to Your People": wickedly funny Tom Lehrer-esque satire, from the album "Can I Go Now?"
5. Maya Beiser - "Back In Black": from the new album "Uncovered" of massed overdubbed  cellos playing instrumental versions of rock and blues hits; I'm not really sure why this exists. Dig the video of her cello-riffic cover of Led Zeps' "Kashmir" below.
6. One And Seven Eighths - "Pegasus (The Camping Waltz)": Most tracks on their album "Modern Camping Songs" are real nice ambient/abstract electro instros, but this brilliant novelty is the best thing that Viv Stanshell never did.
7. O-Type - "Stupido": New vinyl re-issue of this MX-80 Sound spin-off sounds like a lot of other '80s noise rockers, until the vocalist starts channeling a panoply of fascinating, horrific characters, e.g.: the hapless protagonist of this song, rendered in a 'retarded guy' voice at once funny and disturbing.
8. Sid Ozalid - "Elephant in a Sack": Frequent contributor Count Otto Black slipped us these short, silly tracks from one of his fellow Scotsmen, an oddball known more for poetry than music; from "Songs & Stories From a Suitcase", the 1982 EP by Sid Ozalid & His Legendary All-Stars.
9. Sid Ozalid - "My Tortoise Can Burst Into Flames"
10. Sid Ozalid - "This is the Story of the Missing Jacket"
11. Twink The Toy Piano Band - _{ ·_ U _· }_: The latest from the master of toy-tronica has a cute album cover/title ("Critter Club"), cute tarot-like cards of animals, cute song titles (all typographic symbols), but a decidedly more mature sound; the large supporting cast features a number of horn players, giving excellent tunes like this one an almost jazz feel. They grow so fast!



(Thanks again, Count!)

Monday, August 18, 2014

Ambient-Abstract-Noise

For those moments when you need to get away from the idea of music as, y'know, tunes, what with all those distracting rhythms, melodies, lyrics and other fancy accouterments, and you just want to, as Cage said, let music be itself: tracks from recommended new(ish)* releases that soothe body and soul in a colorful sonic bath. And by "soothe" of course I mean that this ain't no New Age audio wallpaper, but can get rather dark and weird at times.

27 minutes of: ambientabstractnoise




1. Philip Jeck "1986 Frank Was 70 Years Old" (from "Surf") - Turntableism as ambient sound collage; guest vox from Woody Woodpecker.

2. Back Magic "Future Graves" (from "Chorus Line To Hell") - Duo's guitar/drum lo-fi racket sometimes resembles actual rock music, and quite nice rock music at that; then we get to this chilling instro, based on a keyboard and air-raid siren sound effects; the apocalypse has never sounded so appealing.

3. Carolina Eyck & Christopher Tarnow "10,000 Bells" (from the as yet unreleased "Improvisations for Theremin and Piano, Vol 1") - Another duo, but they're German, and have had music lessons. Eyck in fact, studied under Lydia Kavina, Leon Theremin's grand-niece and former member of Messer Chups.

4. Allen Ravenstine & Robert Wheeler "Nocturne" (from "City Desk") - YES!! The once and future synth wizards of the mighty Pere Ubu have teamed up for two albums ("City Desk" and "Farm Report") of pure unadulterated analogue electro improv sci-fi soundscape loveliness. "At points one or the other musician would leave the room, letting the antique synthesizer fill in his parts until he returned." 

5. Chris Campbell / Grant Cutler "Song 2" (from "Schooldays Over") - The all-too-brief album is a meditation on Ewan MacColl's 1961 Irish folk ballad about kids moving straight from school to backbreaking labor; the song is teased apart and beautifully reconstructed on such self-descriptive tracks as "Pump Organ, Gongs, Balloon Bassoons." Marimbas, glockenspiels and kotos also join the keyboards in beautiful melancholy.

6. Chris Campbell "Water Mirror" (from "Things You Already Know") - Campbell's really been hittin' it lately, what with his work for the crucial Innova label, and not one but two excellent recent albums. On this one, a fairly large cast perform both on standard stuff and on invented instruments and oddities like propane tanks, psaltrys, and singing bowls for something in between ambient, minimalism, and freak rock. So nice.

I also quite liked THIS

* Except for the Philip Jeck which came out in 1998 but I only just discovered it.

Tuesday, August 5, 2014

Christian Marclay ‎– "More Encores"

I don't recall hearing the word "turntablism" back in 1989 when this album was released, but that's what this is. Needless to say, this ain't no "wiki-wiki-scratch" type stuff. I saw Marclay in performance with Tom Recchion and Toshio Kajiwara in 2003 and it was quite a sight to see records being so creatively abused, e.g.: 8 'tables all playing copies of the same record, with stickers placed on the vinyl so the records would skip at certain points. I wanna do that! 

The performance was part of an exhibit of his visual art, which is quite spectacular as well. Witness his giant, useless accordion, or his album cover collages (but what's the middle album in this one, the one in between Michael Jackson and Roxy Music?). 

From the liners:

Each piece is composed entirely of records by the artist after whom it is titled.
"John Cage" is a recording of a collage made by cutting slices from several records and gluing them back into a single disc.
In all other pieces the records were mixed and manipulated on multiple turntables and recorded analog with the use of overdubbing.
A hand-crank gramophone was used in "Louis Armstrong". 


Christian Marclay ‎– "More Encores"

Monday, July 14, 2014

Negativland Live - "Helter Stupid Tour" 1989




At the time this excellent board tape was made, multi-media collage/ performance art/ prankster legends Negativland had been around since the early '80s, releasing several albums that served as warm-ups for their glory years of the late '80s/early '90s, when they ruled college radio, signed to the indie label everyone wanted to be on (SST Records), and generally moved from being mere (if brilliant) performers/recording artists to becoming a genuine cultural force, merry pranksters manipulating the gullible mass media, and daring to pull down the pants (so to speak) of some of the biggest figures in the music industry.  They paid for their hijinks big-time, but ultimately came out the other end bloodied but unbowed. Lo these many years later, as seen
in today's post-internet media-overload environment of mashups, youtube, etc., they seem positively visionary. And this performance finds them at the top of their game. Even if you're very familiar with Negativland's "Escape From Noise"/"Helter Stupid"/"U2" era (as I would imagine many, if not most, Maniacs are) this is still a fresh experience, as they take elements from their album tracks and rework them into lovely new mutations.

Negativland Live - Hampshire College 1989

Side 1:

1 - Christianity Is Stupid
2 - Helter Stupid
3 - Escape From Noise
4 - Time
5 - Another Perfect Cut
6 - Free TV Or Pay TV
7 - The Playboy Channel

Side 2:

1 - Playboy Channel 2
2 - Why Don't They Blow Us Up?
3 - I'd Like A Piece Of Meat / Michael Jackson
4 - U2
5 - Car Bomb


This comes to us from maniac Bob Berger. Can't thank him enough. He writes: "Recorded off the sound board onto Maxell XLIIS cassette with whatever tape deck was present, this tape has been legendary among all of my friends for many years. The sound quality is amazing... I've never heard Negativland recorded quite so well... Given our state(s) of mind at that show, I have no idea how we managed to capture this as well as we did... but here it is. At home, I've chopped these bits up into each track as best I could, but I figured that it would be best to preserve the whole show's continuity as two sides of the, now infamous, cassette.

Enjoy.

colunco23"



And - hey! - let's not forget to salute "guest vocalists" like the recently departed  Casey Kasem, and  L.A newscaster Hal Eisner. When on those rare occasions I stumble across Eisner's TV appearances, I chuckle, almost expecting him to say, "This is Hal Eisner. This is stupid."

RIP Snuggles.







Friday, May 30, 2014

Brain In A Box: 5 Disks of Science Fiction Sounds!

You don't get the beautiful 3D hologram packaging that originally enclosed this stupendous set, but hey, it's out of print, so better to have lots of good listening than nuthin', eh? And I've been too busy (and will probably continue to be so for the foreseeable future) to update this blog as regularly as I'd like, so hope this will keep all my li'l maniacs happy 'til I get back.

WARNING: these tracks (113 in all) are encoded as m4a (a lossless file),not mp3. They're bigger, which is why I had to split up the disks, and I don't know if m4as play on everything.


An astronomical amount of thank-yous to maniac James C. for sending this our way.

Brain In A Box: The Science Fiction Collection [Disc 1] : Movie Themes pt 1
Brain In A Box: The Science Fiction Collection [Disc 1] : Movie Themes pt 2
Brain In A Box_ The Science Fiction Collection [Disc 2]  TV Themes pt 1
Brain In A Box_ The Science Fiction Collection [Disc 2] TV Themes pt 2
Brain In A Box_ The Science Fiction Collection [Disc 3] Pop pt 1
Brain In A Box_ The Science Fiction Collection [Disc 3] Pop pt 2
Brain In A Box_ The Science Fiction Collection [Disc 3] Pop pt 3
Brain In A Box_ The Science Fiction Collection [Disc 4] Instrumental/Lounge pt 1
Brain In A Box_ The Science Fiction Collection [Disc 4] Instrumental/Lounge pt 2
Brain In A Box_ The Science Fiction Collection [Disc 5] Novelty pt 1
Brain In A Box_ The Science Fiction Collection [Disc 5] Novelty pt2


Disc: 1


1. The Rocky Horror Picture Show: Science Fiction/Double Feature - Richard O'Brien
2. 2001: A Space Odyssey (Introduction) - The City Of Prague Philhamonic/Nic Raine
3. Forbidden Planet: Main Titles - Overture - Brain In A Box: The Science Fiction Collection
4. The Day The Earth Stood Still: Prelude/Outer Space/Radar - Bernard Herrmann
5. It Came From Outer Space: Visitors From Space - Dick Jacobs
6. Creature From The Black Lagoon: Main Title - Hans J. Salter
7. The Incredible Shrinking Man: Main Theme - Dick Jacobs
8. The Time Machine: Main Title/Credits - Russell Garcia
9. Them!: Main Title - Brain In A Box: The Science Fiction Collection
10. The Thing Aka The Thing (From Another World!): Prelude - The National Philharmonic Orchestra/Charles Gerhardt
11. First Men In The Moon: Main Title - London Studio Symphony Orchestra/Laurie Johnson
12. The Beast From 20,000 Fathoms: Main Title - Brain In A Box: The Science Fiction Collection
13. Fantastic Voyage: Radio Spot Announcement - Brain In A Box: The Science Fiction Collection
14. Fantastic Voyage: Main Title Sound Effects Suite - Leonard Rosenman
15. Planet Of The Apes: Main Title - Jerry Goldsmith
16. The Andromeda Strain: Desert Trip - Gil Melle
17. Close Encounters Of The Third Kind: The Conversation - John Williams
18. Aliens: Ripley's Rescue - The London Symphony Orchestra/James Horner
19. E.T.The Extra-Terrestrial: Three Million Light Years From Earth - John Williams
20. Robocop: Robo Vs. Ed-209 - The Sinfonia Of London Orchestra/ Howard Blake
21. Robocop: Main Title - The Sinfonia Of London Orchestra/ Howard Blake
22. Terminator 2: Judgement Day: Trust Me - Mark Ayres
23. Outland: The Mine - The National Philharmonic Orchestra/Jerry Goldsmith
24. War Of The Worlds: Main Title & Introduction - The City Of Prague Philhamonic/Nic Raine
25. Predator: Main Title - Brain In A Box: The Science Fiction Collection
26. The Fly: Main Title - London Philharmonic Orchestra/Howard Shore
27. Mars Attacks!: Main Title - Artie Kane
28. The Matrix: Anything Is Possible - The City Of Prague Philhamonic/Nic Raine
Disc: 2
1. The Twilight Zone, Main Title: First Season - Brain In A Box: The Science Fiction Collection
2. Lost In Space: Main Title/Main Title - Season 3 - John Williams
3. My Favorite Martian: Theme - The Warner Bros. Orchestra/Carl Brandt
4. Doctor Who: Dr. Who - Eric Winstone & His Orchestra
5. The Jetsons: Theme - Brain In A Box: The Science Fiction Collection
6. The Time Tunnel: Main Title - John Williams
7. One Step Beyond: Fear - The Berlin Symphony Orchestra/Harry Lubin
8. The Outer Limits: Control Voice Introduction - Vic Perrin
9. The Outer Limits: Main Title - Dominic Frontiere
10. Men Into Space: Theme - The Buddy Morrow Orchestra
11. The Thunderbirds: Theme - Barry Gray
12. Stingray: Theme - Barry Gray
13. Astro Boy: Theme - Brain In A Box: The Science Fiction Collection
14. Voyage To The Bottom Of The Sea: Main Title - Brain In A Box: The Science Fiction Collection
15. Land Of The Giants: Main Title - Season 1 - John Williams
16. Star Trek: Main Title & Closing Theme - The Royal Philharmonic Orchestra/Fred Steiner
17. Star Trek: The Next Generation: Main Title - The Royal Philharmonic Orchestra/Daniel Caine
18. V (The Series): Main Title - Brain In A Box: The Science Fiction Collection
19. Babylon 5: Main Title - Christopher Franke
20. The Simpsons: Treehouse Of Horror I (Kang & Kodos Medley): Holy-Moly/We Offered You Paradise - Brain In A Box: The Science Fiction Collection
21. The X-Files: Main Title - Mark Snow
22. Changing Channels - Brain In A Box: The Science Fiction Collection
Disc: 3: Pop
1. Telstar - The Tornadoes
2. Blast Off - Jimmie Haskell And His Orchestra
3. Out Of Limits - The Marketts
4. Have You Seen The Saucers - Jefferson Airplane
5. Waiting For The UFO's - Graham Parker & The Rumour
6. Spaceman - Nilsson
7. Space Child - Spirit
8. Flying Saucer Safari - Suburban Lawns
9. UFO - Soul, Inc.
10. Rocket - Jow Bennett & The Sparkletones
11. Rocket To Nowhere - Webb Wilder
12. For Science - They Might Be Giants
13. Machines - Lathar & The Hand People
14. Beyond Tomorrow - Stan Ridgway
15. Theme For The Creature From Under The Sea - Milton DeLugg
16. Humans From Earth - T-Bone Burnett
17. One Step Beyond: Fear - Main Title - The Ventures
18. Rocket Ship - Vernon Green & The Medallions
19. Radar Blues - Chris Conner
20. Creature With The Atom Brain - Roky Erickson
21. Rocket Ship - Kathy McCarty
22. After The Gold Rush: Prelude - Prelude
Disc: 4
1. Frozen Neptune - Russ Garcia & His Orchestra
2. Lunar Rhapsody - Les Baxter
3. Man From Mars - Ferrante & Teicher
4. On The Dark Side Of The Moon - Frank Comstock
5. Saturday Night On Saturn - Les Baxter
6. Welcome To Tomorrow - Attilio Mineo
7. Space Reflex (Blues In 5/4) - Dick Hyman
8. The Planets: Mars, Bringer Of War - The City Of Prague Philharmonic/Nic Raine
9. Theremin Solo - Dr. Samuel Hoffman
10. Guitars In Space - Billy Mure
11. Nova (Exploding Star) - Russ Garcia & His Orchestra
12. Space Is The Place - Sun Ra
13. Twilight Zone - Raymond Scott & His Orchestra
14. Cosmic Ballad - Perrey-Kingsley
15. Moon Gas - Dick Hyman
16. Monsters Of Jupiter - Russ Garcia & His Orchestra
17. She Likes Me - Jerry Goldsmith
18. Tone Tales From Tomorrow - Frank Coe
19. Alien - Leonard Nimoy
20. On Planet X - David Garland/John Zorn
Disc: 5
1. The Flying Saucer (Parts 1 & 2) - Buchanan & Goodman
2. Beep! Beep! - Louis Prima
3. The Blob - The Five Blobs
4. Martian Hop - The Ran-Dells
5. Music To Watch Space Girls By - Leonard Nimoy
6. Planet Claire - The B-52's
7. Gigantor - The Dickies
8. Two Little Men In A Flying Saucer - Ella Fitzgerald
9. Flying Saucer Attack - The Rezillos
10. Flyin' Saucers Rock 'N' Roll - Billy Riley & His Little Green Men
11. UFOs, Big Rigs & BBQ - Mojo Nixon & World Famous Blue Jays
12. We're Going UFO'ing - Jimmy Durante
13. Surf Trek - The Rubinoos
14. Mister Spaceman - The Holy Modal Rounders
15. Meet Space Pilot Jones - The Satellite Singers
16. The Purple People Eater - Sheb Wooley
17. Knocked Out Joint On Mars - Buck Trail
18. Tiny Space Man - Bill Carlisle
19. (When You See) Those Flying Saucers - Buchanan Brothers & The Georgia Catamounts
20. Unfunky UFO - Parliament
21. You Came From Outer Space - The Kirby Stone Four

Friday, April 4, 2014

ODD-STRALIA pt 3: The Invented Instruments of Rod Cooper

Another strange-music-making Australian ("odd-stray-alien," as our expert in such matters Buttress O'Kneel says) is the chap in the above video, Rod Cooper, a metal-worker who makes fantastic plunky/boingy/screechy hand-built metal instruments. Seeing him live would be the optimal way to experience him, I would imagine, considering how, to quote B'O'K: "he used to play in subterranean stormwater drains and stuff, secret illegal gigs that utilised the tunnels' natural reverb to the fullest." And of course, you'd get to see these gizmos up close.

He has a few albums for sale, but here's one you can listen to via Bandcamp as Klunk, a duo with John Bell on vibraphone and percussion:

Klunk: "Metalic"

Many of these improvised instrumentals are nice indeed, with Cooper coaxing all kinds of atmospheric, almost ambient soundscapes out of his Highly Resonant Object. No harsh industrial pounding here. The interplay between vibes and HRO on "Aluminum" is quite lovely, and the dramatic "Columbium" is compelling.  I love jazz vibes, but on some tracks the aimless wandering vibraphone doesn't do much for me. Tracks like the sparse, haunting "Stainless" are more successful.


Here are two samplers, both almost 6 minutes long:

http://www.divshare.com/download/25367194-1bb

http://www.divshare.com/download/25367195-e86

And then there's:

Interview

Artist Statement - Like the man says: "Comfort Through Dissonance"

Friday, January 31, 2014

Bandcamp Is Still The New Cassette Culture

Like I was saying...Listen for free, buy if you like.

This batch is loosely associated by a shared fascination with the surreal and fantastic,  injecting a little much-needed magic into our world.

- Ergo Phizmiz "Idiot": The prolific madman across the water has two more winners. This one's a generous 18 tracks of mostly instrumentals (w/some sampled vox) cobbled together out of found-sounds and whimsical instruments. "Ornidisco" is a dance track ingeniously fashioned entirely from sampled bird sound effects. "Night on The Town" is an absurd disco raver performed entirely acappella (complete with beatboxing) that's as funny as it is funky. Avant-garde, or just good ol' British eccentricity? Price: free.

- Ergo Phizmiz "Music for Pleasure": "A 17 track behemoth of Ergo Phizmiz's singular take on guitar based rock'n'roll & pop music." Yep, these ramshackle constructions suggest actual rock music, sometimes in the Neil Innes or Syd Barret vein, with much Kink-y garage punk energy. Bonus points for reviving Bobby Goldsboro's '60s bubblegum gem "Little Things." Album title = truth in advertising. Price: £7.

- Doctor Midnight "Crotch Rocket Extremities and​/​or Popular Culture Atrocities": What the ..? This short (12 tracks in 23 minutes), utterly unpredictable album makes as much sense as that album title. This duo comes from Alabama, not with a banjo on it's knee, but plenty of other noises: sound effects, screaming, computers, piano, marimba, guitars, and scary hillbilly voices that may be sampled, or may belong to the band members. My fave moment is when "Chocodino" almost turns into a remake of Steve Reich's "It's Gonna Rain," followed by 38 seconds of "There Ain't Shit On TV!" Price: free.

Paul and Pierre "Eggs Benedict With Mr Wu On The Seahorse Monorail": Pierre is the man behind naive/ toy-pop masters Carton Sonore; this time out he's joined by Scottish warbler Paul Vickers for actual songs, but still retaining the whimsy of past projects. Acoustic instruments like musical saw and mandolin meet Casio-tronics to realize sea shanty-like sing-alongs replete with fantastical imagery. Well written, wonderfully evocative, effortlessly enjoyable. Price: €7, tho the super song "Lon Chaney" is free, and you know a song has to be good if it's about Lon Chaney.

- Zlata Sandor/Shaun Sandor "Band on the Moon": If you're pressed for time, here's 5 minutes of a father and his 4-year-old daughter singing about the kinds of things you would expect little girls to sing about, e.g.: party balloons, animals, and playing on the moon. C'mon, how can you not like this? Price: $1.00.


Timur and the Dime Museum "X-ray Sunsets": These Angelenos conjure up a dark carnival for accordion, ukulele, violin, and on the rollicking "Distance Of The moon," a spot of toy piano, with a bona-fide opera singer up front; I featured their amazing take on Nine Inch Nails' "Closer" here previously, but this album is all original and it's all good. Don't be surprised if David Lynch uses the dreamy doo-wop ballad "Asleep At The Wheel" in his next film. Flamboyantly theatrical without quite being campy. Recommended, even if you hate opera. Price: $7.

Tho he was hardly an indie band/ bedroom producer like the above, I still would like to point out that - holy crap! - there are now 48 Fela Kuti albums now available on Bandcamp.


Friday, January 17, 2014

Bandcamp Is The New Cassette Culture...

...tho compared to the '80s/'90s tape underground:
- the sound quality of indie music sites like Bandcamp is usually a lot better than those hissy tapes
- even if you don't buy you can listen for free
- you don't have to go to the bother of sending away for items via the mail: they're right here! Go get 'em! 
So consider this post the equivalent of when magazines like 'Option' used to have tape reviews.

- Convivial Cannibal "Buy The People Afford The People": An album as good as the band name; Absolutely fascinating unclassifiable L.A.-area weirdness that conjures up an air of dark esoterica by mixing live instruments with what sound like old ethnic music samples, children's music boxes played backwards, and unidentified sounds; the audio equivalent of a Joseph Cornell shadow box. Sometimes it resembles traditional music when it's just singing and guitar, but they're both buried under effects to the point of illegibility. "Avant garble" they call it. Numerous other-worldy videos and the new "Iniquitous Ubiquitous" album (check the hypnotically droning "There Are Greys Outside Your Window") are likewise recommended. Price: name your price.

- Dr. D.R. Barclay "One Note Mixtape": I don't believe this. Some mad genius has taken every one-note guitar solo he could find from the rock era and mixed them together into two 7-minute mixes. Some I recognized (Neil Young, The Ramones) and plenty I didn't. Hilarious and utterly mental.  Price: $3.

- "Roncheras" v/a: Traditional Mexican styles like the polka-esque ranchera and the melodramatic mariachi get cooked into a delicious burrito of electro, rock, experimental, even 8-bit post-modernism for a furious fiesta.  Highlites include Dr. Almeja's rockin' 'Ek Chuac,' and Dada Ket's cartoonishly crazy 'LA Costenida.'  Muy fun. Price: free.

-The Hathaway Family Plot "Worry": a horrible year of illness and family deaths inspired this brief but powerful electro/noise suite. Individual tracks like "I Should Be" work well on their own, but the album is best experienced as a start-to-finish whole. 

- Jaw Harp Potential "My Boyfriend, Your Cat": Need a little light relief after "Worry"? Try this: three wholesome girls from Iowa who sing five simple, catchy songs on accordion, ukulele, toy piano, glockenspiel, and harp (not a 'blues harp,' an actual harp) that are cute without being overly cutesy. Better then most Beat Happening albums. Really quite wonderful. Price: free.

Oh man, I've got at least 6 more albums I was gonna review...err...think I'll wait until another "issue" of our little 'zine here, this post is getting too long. (Press 'eject.')





Monday, January 6, 2014

TOTALLY NUDE EXOTICA

By request, the Irish folk mashup collection "Straight Outta Ireland" is back up.

When my unbelieving eyes saw that parts of the US were going to be below -50 F (factoring in wind chill), my mission was clear: post that exotica compilation I'd been sitting on. You people need to warm up, and what better way to do that then with this collection of steamy, sultry, pseudo-tropical musics rescued from singles and otherwise non-exotic albums, not unlike our previous "Savage Exotica" comp. 

Like that collection, this features folks you wouldn't expect to be making tiki tunes: The Residents? Sun Ra? (His biography "Space Is The Place" confirms that he was a fan of exotica maestros like Les Baxter.) Sinatra singing with a Hawaiian group? A Rodd Keith song-poem? You bet your aloha. The "Fifth Beatle" Billy Preston, even, as well as famous bandleaders like George Shearing & Xavier Cugat, and contemporary revivalists like Combustible Edison, Cocktails with Joey, and the man whose track gives this album it's name, Fred from the B-52s.  Plenty of unknowns, lounge acts, and private-press records in here, too.  And "Noisy Village" and "A Night In Bedrock Forest" are bizarre, sound-effects-laden novelties, presumably parodies.

TOTALLY NUDE EXOTICA

01 Superions - Totally Nude Island [w/Fred Schneider]
02 Exotic Adventure - Mel Henke
03 Caravan - The Three Suns
04 Tahiti - Rodd Keith
05 Exotic bird-bird - Dickie Harrell
06 Ferry Across The Mersey - Billy Preston [sounding more like "Ferry Cross the Amazon", this is from 1965, years away from Preston joining the Beatles, or his '70s solo fame]
07 cults percussion ensemble - baia [feat. a then-teenaged Evelyn Glennie]
08 Slow Hot Wind (Lujon) - The Trilogy [a Florida lounge act covering Mancini]
09 Poinciana - Art Van Damme [one of many versions of this oft-recorded exotica standard performed here by the world's foremost (only?) jazz accordionist]
10 The Residents - Syx Things to a Cycle (part 1)
11 Solar Drums - Sun Ra & His Mythical Science Arkestra
12 Tabou - Lecuona Cuban Boys [very early 78 rpm version of song that would be a perrenial exotica standard, often spelled "Taboo"]
13 Jungle Fever - The Mighty Accordion Band
14 Frank Sinatra - Bali Hai
15 Tropical Espionage - Cocktails with Joey
16 Noisy Village - Bobby McFadden and Dor ['Dor' is a pre-fame Rod McKuen]
17 Michael Farneti - In the Jungle [sleazy '70s lounge disco!]
18 The Veldt - Combustible Edison
19 Bahía - Xavier Cugat & his Waldorf Astoria Orchestra  (with Bing Crosby)
20 Fred Flintstone - A Night In Bedrock Forest [near as I can tell, this has nothing to do with the actual "Flintstones" show]
21 ブンガワン・ソロ (Bengawan Solo) - Kiyohiko Senba and his Haniwa All Stars
22 patrick vian - oreknock
23 george shearing - caravan