Happy Tax Day, America!

Was just gonna re-up both sides of the outsider oddity that is Ah-Ah Allen's "Kick The IRS" single, but why stop there? Behold!

A wee Taxday Mix

Ah-Ah Allen - Kick The IRS
Ah-Ah Allen -Montana I'm So Proud of You
F.U.2 - Tax Exile (late '70s fake-punk)
Lenlow - To the Taxmobile! (classic mashup from 2004: Beatles vs Surfaris vs "Batman" theme)
rx - Taxman Obama (The Prez "sings" the Beatles)

My fellow Americans! Remember, April 15 is the day to show Uncle Sam your love.

TOILET TIDBITS

Zoogz Toozday returns with some re-up requests: the sick punk/jazz/prog of Zoogz Rifts' "Amputees In Limbo," "Island of Living Puke," and "Torment" are all back on-line. And if that still isn't enough scatological humor for ya, plug your nose and dive into this:

TOILET TIDBITS

courtesy of reader Duke Kola, who sounds like a pretty cool grandpa. He writes: "I made this mix (with a couple of changes) a few years back for my pre-teen grandson. Never fails to bring a few smiles to my face regardless of how many times I listen."

Now this may seem like a somewhat dubious concept for a mix, but if you're gonna sing about such stuff, you've got to have: a) a sense of humor, and b) a lack of inhibitions, both of which are sterling qualities for an artist to possess. Not to mention the fact that you've pretty much thrown all commercial potential and radio play hopes out the window once you've gone down this path, another admirable move. And this is indeed a very entertaining listen, more so than I was expecting. 

I personally would have added the Bonzo Dog Band's "The Strain," but I'm sure we all have our favorites.

-----------------------------------
01. Amsterdam Dog Shit Blues - Mojo Nixon
02. Caca De Vaca - Joe 'King' Carrasco
03. Snake Bit and Can't Shit - Root Boy Slim
04. Constipation Blues - Screamin' Jay Hawkins
05. Somebody Just Poop - Goofy
06. Somebody Farted - Bobby Jimmy
07. Fart - Breetles
08. I Can't Stop Farting - The Queers
09. Old Fart At Play - Captain Beefheart
10. The Phantom Windbreaker - Red Bovine
11. Pissin' In The Wind - Ernie Payne
12. Pissin' On Your Steps - Del the Funky Homosapien
13. Wee Wee - Abner Jay
14. Piss On the Wall - J. Geils Band
15. Urine Your Out - Prehistoric Cavemen
16. The Thing From Uranus - Sloppy Seconds
17. Shit Don't Stink - TMA
18. Shit For Brains - Nervous Eaters
19. Bag of Shit - Sean Price
20. Shit Can Happen - D12
21. Shaving Cream - Byron Lee
22. Disco Defecation - Flash Bouyancy
23. The Slurf Song - Holy Modal Rounders
24. When the Shit Hits the Fan - Circle Jerks
25. Piece of Crap - Neil Young
26. My Shit's Fucked Up - Warren Zevon
27. Why Does It Hurt When I Pee - Pancho and Sancho
28. I Ain't Gonna Piss in No Jar - Mojo Nixon
29. Don't Eat the Yellow Snow - Frank Zappa


Thanks a heap, Duke!

COVER THE EARTH Vol. 5

When will it end?!  Still more bizarre international ethnic versions of Western pop hits. And by 'ethnic' I also mean American and European styles like bluegrass (# 6) and polka. Also: several Trinidad steel drum tracks (# 1, 9, and 18); the Moog hit "Popcorn" played as a South American chicha; Guns'n'Roses go cumbia; The Buggles go Bollywood; a jazz classic performed on sitars and tablas. And wasn't Bob Marley a lot more fun in the '60s, when he was covering the Archies?

COVER THE EARTH Vol. 5

1. Amral's Trinidad Cavaliers - The World is A Ghetto
2. Arsenio Rodriguez & the Afro Cuban Sound - Hang on Sloopy
3. Bappi Lahiri - Auva Auva ("Video Killed The Radio Star"/India)
4. Bob Marley - Sugar Sugar
5. Brave Combo - Double Vision cha cha
6. Bruce Hornsby-Ricky Skaggs - Superfreak
7. Cachicamo con Caspa y Leiko el perro de la IIIII dimension -Sweet Child o' Mine (Venezuela)
8. Chang Loo - Jambalaya (Hank Williams/China)
9. Esso Steelband - I Want You Back 
10. Jimmy Sturr - Splish Splash polka
11. Kiyohiko Senba and his Haniwa All Stars - Kono Mune no Tokimeki o  ("You Don't Have To Say You Love Me")
12. Lelu Thaert - Dance Soul (Booker T & The MGs "Hip Hug Her"/Cambodia)
13. Lennie Hibbert - Nature Boy ("It Was A Very Good Year"/Jamaica)
14. Los Tropicanos - My Sweet Lord (Brasil)
15. Petty Booka - Girls Just Want to Have Fun (Japan/Ja-waiin)
16. Chicha Libre - Popcorn Andino (Gershon Kingsley's "Popcorn"/Peru-USA)
17. Sachal Studios Orchestra - Take Five (Dave Brubeck/Pakistan)
18. Sapodilla Punch - Hold on I'm Coming
19. The Polka Floyd Show - Another Brick in the Wall

In case you missed 'em:
Vol. 1
Vol. 2
Vol. 3
Vol. 4

Ambient-Abstract-Noise

For those moments when you need to get away from the idea of music as, y'know, tunes, what with all those distracting rhythms, melodies, lyrics and other fancy accouterments, and you just want to, as Cage said, let music be itself: tracks from recommended new(ish)* releases that soothe body and soul in a colorful sonic bath. And by "soothe" of course I mean that this ain't no New Age audio wallpaper, but can get rather dark and weird at times.

27 minutes of: ambientabstractnoise




1. Philip Jeck "1986 Frank Was 70 Years Old" (from "Surf") - Turntableism as ambient sound collage; guest vox from Woody Woodpecker.

2. Back Magic "Future Graves" (from "Chorus Line To Hell") - Duo's guitar/drum lo-fi racket sometimes resembles actual rock music, and quite nice rock music at that; then we get to this chilling instro, based on a keyboard and air-raid siren sound effects; the apocalypse has never sounded so appealing.

3. Carolina Eyck & Christopher Tarnow "10,000 Bells" (from the as yet unreleased "Improvisations for Theremin and Piano, Vol 1") - Another duo, but they're German, and have had music lessons. Eyck in fact, studied under Lydia Kavina, Leon Theremin's grand-niece and former member of Messer Chups.

4. Allen Ravenstine & Robert Wheeler "Nocturne" (from "City Desk") - YES!! The once and future synth wizards of the mighty Pere Ubu have teamed up for two albums ("City Desk" and "Farm Report") of pure unadulterated analogue electro improv sci-fi soundscape loveliness. "At points one or the other musician would leave the room, letting the antique synthesizer fill in his parts until he returned." 

5. Chris Campbell / Grant Cutler "Song 2" (from "Schooldays Over") - The all-too-brief album is a meditation on Ewan MacColl's 1961 Irish folk ballad about kids moving straight from school to backbreaking labor; the song is teased apart and beautifully reconstructed on such self-descriptive tracks as "Pump Organ, Gongs, Balloon Bassoons." Marimbas, glockenspiels and kotos also join the keyboards in beautiful melancholy.

6. Chris Campbell "Water Mirror" (from "Things You Already Know") - Campbell's really been hittin' it lately, what with his work for the crucial Innova label, and not one but two excellent recent albums. On this one, a fairly large cast perform both on standard stuff and on invented instruments and oddities like propane tanks, psaltrys, and singing bowls for something in between ambient, minimalism, and freak rock. So nice.

I also quite liked THIS. 

* Except for the Philip Jeck which came out in 1998 but I only just discovered it.

ADIOS A LOS BEATLES

There is no more glorious sound for jaded ears than this rural Mexican brass band blowing berserk, off-key, highly enthusiastic instrumental versions of Beatles songs. Even the dreaded "Ob-La-Di, Ob-La-Da" sounds great as a crazy carnival theme. Sadly, nothing is known about the band responsible for this genuine piece of folk-art madness other than that they were from, as their name would indicate, Tepetlixpa.  

The lack of info almost makes me wonder if this isn't a hoax. Consider the name Banda Plástica De Tepetlixpa Mex.: a reference to Plastic Ono Band? And the back cover tells a preposterous story of Lennon and McCartney visiting Tepetlixpa. But there is still plenty of information that has not been captured in the internet's nets, and these guys could very well have simply never been documented in their time. Tepetlixpa, after all, is a pretty obscure little village, warranting only a few sentences on their skimpy wiki page...if they really were from Tepetlixpa. I've heard no indications that this is a hoax, but even if it is, it's still as enjoyable as The Portsmouth Sinfonia, or Fritz Guckenheimer and his Sour Kraut Band.

We're Banda Plástica De Tepetlixpa Mex.
We hope you will enjoy the show:  

"ADIOS A LOS BEATLES"

01 Ob-La-Di, Ob La Da

02 I Want To Hold Your Hand

03 Carry That Weight

04 Yesterday 

05 Eleanor Rigby

06 Yellow Submarine

07 Hey Jude

08 Girl

09 I Should Have Known Better

10 A Hard Days Night

PRAISE THE LORDS: 3 ALBUMS OF GERMAN BEAT/PSYCH

Recently we posted an album by "The Rattles," a curious early German take on rock-n-roll. The Lords were another band from the '60s pre-Krautrock era, very famous and successful in their homeland, but more likely to rise eyebrows and cause mutterings of "WTF..?" from elsewhere. Their English lyrics in particular are, er, interesting. And how 'bout those fashion-challenged album covers?

"Some Folks By The Lords" (1967) is largely a collection of covers, many of them strangely inappropriate for an alleged rock band to be performing. Perhaps they and/or their audience simply didn't know enough about American music to make genre distinctions. Or maybe they were geniuses who realized it didn't matter: "Miss Otis Regrets" may be a Cole Porter showtune, but it's still a great song.  Much of it, like "East Virginia" and "Sing Hallelujah," are inspired by 'down-home' folk and gospel. "San Miguel" is sung in a ludicrous Spanish accent on top of their usual sometimes-thick German accent. And I must admit: "Greensleeves" made me giggle.

"Ulleogamaxbe" (1969): No more fake-folk Americana covers - it's fake UK psych this time. Tho it's two years after the fact, they finally betray a 'Sgt Pepper' (or at least a BeeGees) influence, what with all the strings, horns, and "poetic" ambition. After six songs of this, we get an unexpected proto-metal garage fuzz blast in the excellently apocalyptic "The World Is Falling Down". The frantic "Fire" could be a Roger Corman exploitation film theme song. Musically, "Poor Chin-Lee" is a Pet Sound-alike; vocally and lyrically, however, not even Brian Wilson was this weird. On "Cut My Hair" they "get back" to basic rock n roll, tho I don't recall Little Richard ever penning lyrics that detail instructions to his barber. The bonus single "John Brown's Body" goes back to the American folk/gospel of the first album, but now with added flutes and intrusive sound-collage elements. And it's b-side is a cover of Eddie Cochran's "Somethin' Else" that out-punks the Sid Vicious version of a decade later. Apparently, these guys will do any style at least once, and do it strangely. Does anyone have any idea what that album title means?

"Shakin' All Over '70" is a bit of a hodge-podge, with a few tracks repeated from "Ulleogamaxbe." The title track recasts the rockbilly swinger into a "heavy" acid-rock-with horns biker stomper. "Feeling Chicago" is a response to modern bad-man ballads like "Rocky Racoon" or "Bad Bad Leroy Brown." "Four O'Clock In New York" is a swell bit of Bay City Rollers-ish bubblegum, while the chicken-squawking "Talk About Love" from 1970 might be the most ridiculous thing these guys did, and that's saying something. Needless to say, it's one of my favorites. 

Elsewhere, the flower-power sounds continue as if it were still the Summer of Love. The fact that they cover not one but two songs from the "Hair" soundtrack suggest that they either never really understood what rock'n'roll was all about, or they were just went straight for mainstream commercialism. I actually love "Hair," but it's purely musical theater, hippie culture depoliticized and sensationalized for tourists. In any case, it's pretty awesome to hear 'em try to wrap their accents around the wordy nugget, "Manchester England." 


A big danke to Count Otto Black!

THE GREAT CELEBRITY SING-OFF

Remember the wildly popular "Golden Throats" collections of singing celeb records? 'Twas one of the few areas where the strange-music world and the mainstream met. Those comps, the gods' gift to "morning zoo" radio shows, reveled in recordings by misguided (mostly) actors who probably shouldn't have had any business singing. Record collector extraordinaire MadJon, the man who bequeathed the "Disco Sellout" and "Come Suck With Me" collections unto us, has picked an amazing assortment of Hollywood fruits for us, continuing the "Golden Throats" tradition. There are some straight novelties here by actors who were not trying to be real singers, e.g.: Jim Backus' classic "Delicious," in which he and a lady friend get gradually rip-roaring drunk, and Frank Gorshin's utterly nutso appearance as his "Batman" character, The Riddler.  But most of these sincere attempts at musical art range from unintentionally hilarious to just appalling. The Bruce Willis track in particular will make you want to punch the guy should you ever meet him.

The Brady Bunch's version of the usually interminable "American Pie" is one of the best recorded - it's only 3 minutes long! Why does Pat Boone get so much crap for his Little Richard cover? After all, Gale Storm's take on Smiley Lewis' "I Hear You Knockin" is just as jaw-dropping. Both Rex and son Noel Harrison are repped here, and the Burl Ives song is actually called "The Tail Of The Comet Kohoutek." Was great to finally get a copy of Bert Parks singing the traditional "there she goes...Miss America" pageant theme. And what the hell is Richard Harris on about? Even if you're not familiar with all the names here, the tunes, in styles ranging from rockabilly to schmaltzy lounge, are a sick treat.

MAD JON'S GREAT CELEBRITY SING-OFF

Much thanks to Mad Jon!

BAD BOB: "The Tunes They Are A-Changin'"

As if that "Better Than The Beatles" comp we recently posted wasn't enough to blow a baby-boomer's brain, now we've got 23 mind-boggling Bob Dylan covers: celebrity actors who have no business making "music" (Eddie Albert, Sebastian Cabot, Telly Savalas, and yep, The Shat himself), absurdly wimped-out easy-listening crooners and orchestras, milquetoast pop-folkies, bubblegum heartthrobs (Bobby Sherman!  Dino Desi & Billy!), punk new-wavers (Bryan Ferry, and even Da Bruddahs), and a couple outright parodies. 

Off the top of my head, I can think of some others (a Moog version of "Lay Lady Lady," Johnny Cash, and didn't Hugo Montenegro do a Dylan album?) but believe me, this is more than enough to do your head in. Something's going on here, but I really don't know what it is, Mr. Jones.

This comes to us courtesy of MadJon, who gifted us with the "Disco Sellout" collection we posted here a few months ago.

The Tunes They Are A-Changin'

Correction: track 22 is actually "Knockin' On Heaven's Door". And if your version of "My Back Pages" was corrupted, go HERE for a replacement.

4 Albums from Pat Smear: The Lost Years

I had a dream the other night that Elvis Presley was fronting a young, collegiate alt-rock trio called The Masters Of Logic. Elvis, in a white jumpsuit, appeared to be in his '70s Vegas era, and despite the lack of the expected brassy big band, he appeared to be acquitting himself quite nicely with this aggressive guitar/bass/drums lineup. Unfortunately, I can't recall exactly what the music was like.

Even more surreal: the fact that a Grammy was recently awarded to a man formerly of a punk group originally called Sophistifuck and the Revlon Spam Queens, who had food regularly thrown at them by audience members, and would throw up on stage.

Good gawd awmighty, PAT SMEAR won a Grammy.

Smear was in The Germs, perhaps the first true hardcore punk band and certainly one of the most notorious, and I guarantee that no one in the late ‘70s thought that this guy was headed for anything other than jail or a mental hospital. Allow me to cut-and-paste:

“The band started when Jan Paul Beahm and Georg Ruthenberg decided they should start a band after being kicked out of University High for antisocial behaviour, allegedly for using ‘mind control’ on fellow students. They named themselves “Sophistifuck & The Revlon Spam Queens,” with Beahm (then ‘Bobby Pyn,’ and later Darby Crash) on vocals, Ruthenberg (then and later called Pat Smear) on guitar… the Germs began as an objectively pathetic musical outfit. The first single…arrived back from the pressing plant with the note, “Warning: This record causes ear cancer” printed on the sleeve by the plant staff, much to the band’s displeasure. They were supposed to appear in the Cheech And Chongmovie, Up In Smokebut were not invited back mostly due to the fact that The Germs’ anarchic performance included a full-on food fight.... Singer Darby Crash often arrived onstage nearly incoherent from drugs, singing everywhere but into the microphone and taunting the audience between songs. The other band members had similar problems, with many contemporary reviews citing collapses, incoherency, and drunken vomiting onstage."

Darby did in fact O.D.  Smear spent the next decade/plus hanging around the L.A. scene until fate came a-calling, and he joined another band with a lead singer who killed himself, Nirvana. (If I was singing in a band with Pat Smear, I would be very, very nervous.) Nirvana led to the Foo Fighters, who somehow ended up recording with Sir Paul McCartney last year, who all won a Grammy. Forget the Grateful Dead, this was a long, strange trip.

Smear's a great guitarist, and his contributions to the Germs, and punk legend, are inestimable, but as I recall, after the disintegration of the Germs and his subsequent sometimes-excellent band Twisted Roots (whose stuff is in print) in the early '80s, and before his early-'90s Nirvana/MTV stardom, Smear was considered kind of a has-been, wandering thru the L.A. club scene a decidedly minor player. Even recording for the "It" label of college radio, SST Records, didn't help. I rarely recall his albums getting reviewed, airplay, or any kind of buzz.  I knew a grand total of one (1) person who bought one of his albums, and that was just because, y'know, he was the guy from the Germs.  I don't remember actually hearing the album.

 
And now Pat's playing with, of all people, a Beatle.  And not Ringo!  A knighted Beatle. And he's winning Grammys. Does the Academy know that they just gave a trophy to a key figure in a scene that was (allegedly) opposed to everything the music industry stood for?  Oops, heads will role!  Or not - if a Beatle says it's okay, then it must be okay. I wonder how many music biz weasels will now claim that they loved punk all along. "Marvelous stuff the young people were doing." 

And so Mr. Smear, we salute you, and your half-assed albums. Albums that, to their credit, often fit no known genre, and are almost punk-free. Albums that have never seen digital release (tho maybe they will now). 
At least he doesn't sound like he's taking himself too seriously on these four obscurities.

Pat Ruthensmear "Ruthensmear" (1988) - Amateur glam w/synths, drum machines, Smear's guitar (work that wah-wah!) and strangled vox; an odd, almost random eclecticism. "Golden Boys" is the completion of an unfinished Germs song.

The Death Folk "Deathfolk" (1990) - Acoustic duo with Gary Jacoby from the band Celebrity Skin, but hardly "folk" music; covers Queens' "'39."

Pat Smear "So You Fell In Love With A Musician..." (1992) Sounds properly grunge - his audition for Nirvana? - but hints of glam still pop thru. As usual, he sounds like he's having fun, uttering lyrics like "Wicked witch, your titties drip red lava 3-D fantasies." 

The Death Folk "Deathfolk II" (1992) - No longer acoustic, but grungy glammy pop-rock. This former punk minimalist is not afraid to guitar-wank as much as any arena-rocker. "Medely" honestly isn't that far removed from Styx' "Come Sail Away." Covers The Go-Gos' "Automatic."

Vote For Hyemen & Metalfunkel!

WFMU is hosting a battle-of-the-bands right now thru Feb. 4, and of the three finalists, I really like the hilarious Hyemen & Metalfunkel, who do spot-on parodies of heavy-metal classics as performed by Simon and Garfunkel. Their version of Black Sabbaths' "Paranoid" is one of the funniest things I've heard lately, but they also do justice to Van Halen, AC/DC, Iron Maiden, Judas Priest, etc.  It helps that I've always liked Simon and Garfunkel. Even tho I hate Paul Simon.  Odd, isn't it?  I guess I just really like S&G's vocal harmonies and that '60s folk-rock sound.  And they were young, which makes Simon's pretensions bearable, no different from any number of other earnest college students bullshitting in the dorm room.   

Unfortunately, Hyemen & Metalfunkel are currently losing to a boring mainstream rock band, so do your patriotic duty, and vote your conscience.

Speaking of metal parodies, a reader recently wrote asking if Metalachi, the Los Angeles combo who play metal classics in a Mexican mariachi style, have an album out yet.  They do!  When I first wrote about them, they only had a few tracks up on MySpace, but their short but very enjoyable debut album "Uno" is now available, boasting swooningly romantic, trumpet-and-strings takes on Guns 'n' Roses, Bon Jovi, Led Zeppelin, Iron Maiden, and this Ozzie standard:

Metalachi - "Crazy Train"

Muy bueno, muy silly.

STRANGE/OUTSIDER/NOVELTY JFK SONGS

John F. Kennedy inspired a lot of music. This is some of the weirdest. Song-poems! A Frank Zappa composed/produced surf record!  A singing psychic! Mexican music! And all 6 tracks from the great "Sing Along With JFK" album that featured pre-sampling tape manipulations of Jack's voice "remixed" with original music and a vocal chorus. You've heard of musique concrete?  This is musique ridicule.


Sing Along With JFK

1. George Atkins and Hank Levine: Begin Anew For Two (from "Sing Along With JFK")
2. George Atkins and Hank Levine: Let Us Begin Beguine
3. George Atkins and Hank Levine: Alliance For Progress Bossa Nova
4. George Atkins and Hank Levine: Ask Not Waltz
5. George Atkins and Hank Levine: The Trumpet 
6. George Atkins and Hank Levine: Let The Word Go Forth
7. Los Conquistadores: Homenaje a John F. Kennedy
8. Brian Lord & The Midnighters: The Big Surfer (written/produced by Frank Zappa, recorded in his Cucamunga studio, 1963)
9. Frances Baskerfield, "The Singing Psychic" - The Grassy Knoll
10. Johnny Tucker - Mr. Kennedy
11. Mike Macharyas - Lee Harvey Oswald (from the 2005 album "Ashlee Simpson" in which all Macharyas does is repeat famous peoples names over and over; he has 17 albums of this insanity)
12. Lee Roy Abernathy: John F. Kennedy The Greatest Of All (like the Johnny Tucker song, this is an indie country/folk record, but this guy seems really worried about Texas' reputation as much as anything else)
13. Norm Burns and the Five Stars: John F. Kennedy Was Called Away
14. Norm Burns and the Five Stars: John F. Kennedy's Election Race (Song-poems! This one's the more inept/funnier of the two)


Thanks for some of these to WFMU's Beware of the Blog, and master blogger Bob Purse.

Ahh...Outsider Music...

The George King/Joe Corney Space-Age Organ Sounds are back on-line.

The first thing many Americans think when they hear the phrase "folk music" is still the Joan Baez/Dylan types listlessly strumming acoustic guitars and singing protest songs in coffeehouses, none of which has much to do with actual American folk traditions. The excellent new compilation Turn Me Loose: Outsiders of Old-Time Music
features not only the weird 'n' wild obscurities you maniacs crave, but it also serves as a nice corrective to the '50s/'60s folk revival's rewriting of history. For one thing, acoustic guitars were not too common (almost no songs on this album feature them), banjos were originally a black instrument (derived from African instruments), silly humor was much more common then protest politics (e.g.: the wacked-out duo Mustard and Gravy), and plenty of "non-folk" instruments like the piano really were used in folk music, Charlie Tweedy's berserk stylings on the ivories being one of this albums' many highlights (which reminds me of Tom Lehrer's crack introducing his song "The Folk Song Army": since the piano isn't considered a folk instrument "imagine I'm playing an 88-string guitar.") Ernest Rodgers' Greek lesson "Mythological Blues" punctures holes in the notion that these were all dumb, uneducated hicks.

Most of these recordings, taken from old '78s, are by fairly professional if necessarily rough 'n' raw performers, but at least one character here, Willard Hodgin, is just flat-out nuts. To quote from compiler Frank Fairfield's extensive liner notes: "He recorded 18 sides (1927-1928) for various labels, which is quite an outstanding feat considering how unusual a performer he was. The combination of the occasional verse speckled in with his own unusual yet charming stanzas and his delirious haphazard banjo strumming make him one of the most unique performers to ever record." 18 songs?  Someone put out a complete Willard Hodgin album! (Clicky on song titles to take you to Divshare-land:)

Willard Hodgin: "Don't Get One Woman on Your Mind" Now with bonus offensive racist lyrics! 
But don't musical saws make everything better? Dig this barn dance earworm:
South Georgia Highballers: "Mister Johnson Turn Me Aloose"

Another great new comp recently purchased at my local record emporiums is "Enjoy The Experience: Homemade Records 1958-1992," a two-disc set plus 44 page booklet, all for only $15. Explore the wonderful world of private-press records! I was amused to see that the booklet featured reproductions of the covers of a couple albums I own, namely Mike Hudson and Wayne & Marin Foster. No tracks from them featured on this, but I included them on my own collection "I'll Take Las Vegas." This album goes way beyond Vegas-y lounge performers, tho, ranging from the already sorta-well known punk jazz of Gary Wilson and the middle-aged former Big Band singer-turned-hippie Arcesia, to such unknowns as the hip Christian behind this absurdly catchy upbeat bit of apocalyptic pop:

Ray Torsky: "666"

The booklet includes interviews with some of the performers the compilers were actually able to track down. The heartbreaking tale of Joe E.'s swindle at the hands of a fly-by-night record label is particularly memorable. Unfortunately nothing is known about one Vinny Roma, but he recorded what could be this blog's theme song.  Hell, it could be my (or your) life's theme song:

Vinny Roma: "Ahh...Music"

And if that's still not enough outsider music for you, Colchester, England's premier mental patient/transvestite/stoner/coprophiliac singer-songwriter has a new album out called
"Hippie Heaven" 
for your free downloading pleasure. It's like a 12" single more than an album, with the same songs appearing in slightly different forms throughout. Highlights inc the biting "Parasite Pest," and "Rock 'n' Roll Brothel" ("Why won't any of the girls have sex with me? It's quite frustrating...I could get a complex!") The backing track of "Lady Dub #1" could be by Martin Rev. And paging Yoko Ono! The final track is a 20 min field recording of wind.



   

COVER THE EARTH 4

UPDATE 8/10/13: File is back up.  I'm a little worried that it disappeared as I haven't had any trouble with zippyshare...yet...
Yet another batch of strange and wonderful covers of Western pop songs performed by people of other lands on ethnic instruments in various exotic styles. Some real mind bogglers here, e.g.: Jamaican senior citizens playing Iggy Pop, Joy Division goes calypso, surf music on sitars, Bowie's "Space Oddity" turned into a Mexican comedy routine, but the gamelan orchestra recorded "in the field" in Indonesia performing a song by the late '70s British marxist art-punk band Gang of Four truly takes the cake.  What the heck is the story behind this? I couldn't find out, and maybe that's just as well. There are still some mysteries the universe is not willing to share with us...

COVER THE EARTH 4
  
1. Los Miticos Del Ritmo [Columbian cumbia] - No Pares Hasta Tener Lo Suficiente [Jacko "Don't Stop 'til You Get Enough"]
2. Zia [Iran] - Man Kiam? [Monkees "I'm A Believer"]
3. Surf Champlers [Japan] - "James Bond Theme"
4. Willie DeVille [US/Mexican mariachi] - "Hey Joe" [Jimi Hendrix]
5. Luna Lee [Korea] - "Voodoo Chile" [Jimi Hendrix] video below
06 The Jolly Boys [Jamaican mento] - "The Passenger" [Iggy Pop]
07 Sekar-Melati [Indonesian gamelan]- "Not Great Men" [Gang of Four] video below
08 Louis Brennon [France] - "l'anarchie pour UK" [Sex Pistols]
09 Grupo Falso Baiano [Brasilian samba]- Irmaos Super Mario [Super Mario theme]
10 Hermanos Calatrava [Mexico] - "Space Oddity" [David Bowie] UPDATE: a commentor on WFMU's twitter feed claims this is Spanish, not Mexican
11 Steel Harmony [UK/Caribbean steel drum] - "Transmission" [Joy Division]
12 Caetano Velosa [Brazilian bossa nova] - "Billie Jean/Eleanor Rigby" [Jacko, Beatles]
13 Banda Plástica De Tepetlixpa Mex. [Mexican brass band] - "Yesterday" [Beatles]
14 Kumbia Queers [Latin American cumbia] - "Luci, Fer y Sam [Pink Floyd "Lucifer Sam"]
15 The Draytons Two [Barbados spouge] - "Blueberry Hill" [Fats Domino]
16 Wganda Kenya [Afro-Columbian] - "Combate A Kung-Fu" [Carl Douglas "Kung Fu Fighting"]
17 Rita Chao [Singapore] - "Proud Mary" [Credence Clearwater Revival]
18 The Bombay Beach Boys [US/India] - "Pipeline" [The Chantays]
19 Ondatrópica [Columbian cumbia] - "I Ron Man" [Black Sabbath "Iron Man"]
20 Jimmy Sturr [US polka] - "Fun Fun Fun" [Beach Boys]
21 The Soul Fantastics [Panama] - "Ain't No Sunshine" [Bill Withers]
22 Funk Como Le Gusta [Brasil] - "16 Toneladas (Sixteen Tons)" [Tennessee Ernie Ford]
23 Shang Shang Typhoon [Japan] - "Let It Be" [Beatles]

Dan Knudsen Won't Hurt You

Another great outsider musician named Daniel, Dan Knudsen is just as sincere, child-like, likeable, odd and God-fearing as D. Johnston, minus the mental-illness related drama and trauma (so far as I know). In spite, or maybe because of the fact that this janitor at a YMCA couldn't be more different from other Portland, Maine punk/industrial/avant artists, he's championed by this small-but-tightknit scene, doing shows with him after he started appearing at open mics, backing him live, even putting together a tribute covers album.

Knudsen's many wonderful releases are now up for free streaming/buying, all featuring his cheap xeroxed album covers, his acoustic guitar (and some rinky-dink electronics), and his high 'n' homely voice. They can be addictive - I've found myself playing one of his EPs after another. 

The six track "Beaches and Zoos" from 2005 is as good a place to start as any - in the somewhat creepy sing-along opener, Knudsen insists that he won't hurt you ("Your face will never be black and bluuuue! Aren't you glad, aren't you glad?"); both "Raiders of the Lost Ark" and "The Lord of The Rings" are summarized in song; the Jonathan Richman-like title track promises numerous visits to, you got it, beaches and zoos, with some truly unique lyrical rhyming (e.g.: "USA" and "Flori-day"); and when you do go to the beach, once again, you have nothing to fear: "The Sharks are Gone!" Few performers could so unselfconsciously sing lines like: "I'm well-trained and skilled in aquatic safety," but Knudsen makes it all seem so natural.

The Dan Knudsen story began with 2000's lo-fi "Sunsong," six painfully sincere tales of love and heartbreak. "Grass, Grain, and Appleseeds" from 2002 has one of my favorite oddities from the Knudsen oeuvre, the spacey "We Are Not Alone." The beautiful title song sums up life as well as any. The chorus of "Rockin' On The Railroad" sounds a little too much like Neil Young's "Rockin In The Free World" to be a coincidence, just as "Rain Falls Outside My Window" appears to be a bizarre re-write of John Denver's "Sunshine On My Shoulder" ("If the rain falls thru a hole in my roof, it will make me drown...") [UPDATE 7/9/13: re "Rockin' On The Railroad", got an email from a reader who noticed "If you listen to the guitar riff, it sounds very similar to the Traveling Wilbury's "At the end of the line". And guess what is featured in the Wilbury's youtube video of the song?? They are singing the song while riding on a train.  Coincidence?!]

The catchy title track to 2011's "Lost Airways" finds him taking a flight, looking forward to seeing family and friends, worrying about terrorist attacks, and singing: "It's almost a six mile altitude/the roar of the engines sounds real rude" over guitars and cheezy Casios. He also points out that "We All Make Mistakes."

Advanced students may want to move on to "Outer Space," a sci-fi fantasy that's pretty out-there, in all senses of the phrase.

Sweet and guileless, utterly without pretension or show-biz posturing, with a slightly ominous undercurrent that keeps it from being too corny and wholesome...count me in as another "DanFan."

Dan Knudsen's Bandcamp page

TOM WILSON - "GAY NAME GAME"

Back in 2008, I wrote: "One day in the early '90s, I was looking through one-dollar records in a thrift store when I came across one called "Gay Name Game." With a song entitled "Lesbian Seagull" listed among it's contents, how could I resist? The album is a typical sensitive singer-songwriter acoustic relic of the '70s, though the out-and-proud lyrics certainly set it apart from, say, James Taylor.

So imagine my surprise when in 1997, in the middle of a mainstream Hollywood film ("Beavis and Butthead Do America"), one of the characters starts singing "Lesbian Seagull." And legendary crooner Engelbert Humperdinck sings it over the closing credits! Eh, what?! I guess Beavis and Butthead creator Mike Judge must have stumbled across this record, too.

Thus, a strange curio from the original gay-rights movement enters the mainstream. It is an amazing tune...Caw, caw, caw!"

By request, here's the whole album.  "Lesbian Seagull" is the classic, as singularly odd, funny and heartfelt as you would expect from that song title, but the whole album is quite a good listen. The way-ahead-of-its-time subject matter certainly holds one's interest, and the witty songwriting of tracks like the title tune rival master satirists like Tom Lehrer (Wilson even outs J. Edgar Hoover way before that hit the mainstream).

This was Wilson's first album of a still-going cabaret/musical career. It has never been digitaly reissued.

TOM WILSON - "Gay Name Game" (1979)

The FLYING DUTCHMAN - ONE-MAN BAND SHOW

How's THAT for an album cover? 

I think you can see why I picked up this private-press piece of vintage vinyl recently - it truly is a slice of authentic Americana, a peek into un-hip rural backroads (in this case, Pennsylvania Dutch country) where Ma & Pa go out on a Saturday night to the local tavern and dance to the kind of music left out of the history books, played by the sort of performer usually considered to be not worthy of critical consideration.

Recorded live, Mr. Dutchman is  clearly having a good ol' time, chatting with the crowd,  letting loose with whoops and yee-haws! on occasion. Everything that doesn't sound like a polka (even the Elvis cover) is delivered in a wave-your-mug drinking song waltz-time. And might I direct your attention to the song that features our man playing the accordion and tap-dancing (!) at the same time. They don't make 'em like this any more.  (Or do they?  I suspect that this fellow might be the same guy.)

The FLYING DUTCHMAN - ONE-MAN BAND

A STONER'S TRIBUTE TO CARL SAGAN (Milvia Son Records Sampler)

I've passed the 1000 posts mark. And boy are my fingers tired.

On to 1001! Milvia Son Records from up in the Bay Area sent me a batch of their vinyl-only goodies, and the first thing you should know about 'em is that they've released an album by Can's first singer Malcolm Mooney. If that doesn't automatically score cool points, what will? They didn't send me that one (it sells itself, presumably), but there's other fun to be had in their catalogue of "head music" that bears little resemblance to most psychedelia or stoner rock currently being made.

Milvia Son sampler

1. Bad Drumlin Grass "All Night Long" - Bad grass? Actually, this New Wave-y tune from a 7" is made from good stuff, like synth farts and nonsense vocals. And nekkid ladies on the cover!
2. Bad Drumlin Grass  "Can Do" (excerpt) - Speaking of Mooney-era Can, I was digging this lengthy jam, the opening track to their album "The Invigorating Scent of …" and it reminded me of Can's "Yoo Doo Right." Then I checked the song title. So probably no coincidence. The song "Out on the Tracks" is an ill synth jam; the album gets increasingly jazzy/trippy, less groove-y as it goes on and the chemicals kick in.

3. Bob Frankford "O Carl" - Totally ridiculous ode to Carl Sagan sung (?) over a mangled recording of the theme to Sagan's tv show "Cosmos." I shouldn't love this, but I really do.  From the four-track 7" sampler "Just a Little Bit of Milvia Sun," which includes a pic of Dr. Carl, and a lengthy quote allegedly from the famous astronomer himself describing how great smoking pot is, e.g.: "Experiencing orgasms while high and listening to music, particulary electronic or 'psychedelic' music, is one of the greatest pleasures of my life.'  Wow, did he really say that?
4. Jaki Jakizawa " Period Fart" - All of side one of Jaki's album is super cool disco electro improv - like Giorgio Moroder goes free jazz.  I spent part of the '90s looking for anyone who was doing to synths what Coltrane did for the sax, what Jimi did for the guitar, and not coming up with much besides Sun Ra. A much-welcome approach to the synth. The flip is drum-less cosmic electronica recommended to Tangerine Dream fans. And there might still be a few of them left.
5. Old Yeller & The Pigbites - "The Wreck of the Jerome Garcia"/"Handsome Stranger" - This no-fi mess of acoustic guitars and vocals piled on top of each other makes Daniel Johnston sound as polished as Celine Dion, but some gems do rise thru the muck. ("Handsome Stranger" = Not Safe For Work.)

By the way: If you are a Can fan, the new "Lost Tapes" box set really is a treasure-trove, not just a hodge-podge of leftovers, crappy-sounding live tracks, demos, etc, as these types of collections usually are.

That's Athientertainment!

If Christian and religious music is a niche market, the pro-science/atheist music scene is practically microscopic. I bought a few CDs recently that are for sale from outlets like the Center For Inquiry and The Freedom From Religion Foundation.  Yep, they have gift shops, too.  Good timing: now that the Higgs Boson particle has been found, our ideas of physics (The Standard Model) have been confirmed, which means we pretty much know what the universe is made out of.  Pat yourself on the back, human race!

Dr. Stephen Baird of Stanford University is an actual scientist, as well as being the frontman for The Opposums Of Truth and The Galapagos Mountain Boys.  I generally find his style of music - hillbilly/bluegrass - kinda irritating, what with all them high screechy voices and plinckety-plunkety banjos and fiddles and whatnot.  But, somewhat to my surprise, I started diggin' these albums ("Darwin, Darn It!" and "Ain't Gonna Be No Judgement Day: Scientific Gospel") after a couple spins. Really well played, and it's always funny hearing technical jargon sung with enthusiasm.

The Voices Of Reason are a Los Angeles a capella vocal group, here covering/rewriting "The Hallelujah Chorus" and the old "Negro" spiritual "Joshua Fit The Battle of Jericho." I saw 'em open for Julia Sweeney's show "Letting Go of God" a few years ago.

And here's some songs from previous posts that have since gone off-line:

Anthropologist Richard Milner: "Charles Darwin: Live and In Concert" is channeling the great naturalist thu witty, upbeat original songs with rapid-fire rhymes that would give eminem a run for his money. I hear the likes of Noel Coward, Cole Porter and his admitted heroes GIlbert & Sullivan.

Dan Barker is an atheist satirical songwriter, like a one-topic Randy Newman or Warren Zevon. He's released several albums, including "Beware of Dogma."  It features "My God is in My Soul," a brilliant track by Michael Newdow, the guy who tried to remove the phrase "under God" from the Pledge of Allegiance (who has a pretty interesting CD himself). It includes samples of profane voice mail messages left by furious Christians. They're not just dropped onto music, but are ingeniously integrated into the lyrics of the mock-reverent "hymn." The result walks that hilarious/disturbing line. "Fleas" is a parody of Joyce Kilmer's poem about how I think that I shall never see a poem lovely as a tree, blah blah blah.

Baba Brinkman (a Canadian, eh!) first appeared in these pages with his rap version of The Canterbury Tales. His album "The Rap Guide To Evolution," (available from his site) is, well, just that. It's scientifically accurate, musically solid, even funny sometimes. But dealing with biological complexities can make the songs amazingly wordy, e.g.: the finely funky song posted, set at a dinner table as our hero tries to reason with a stubbornly unscientific family. I'm certainly aware of the large number of religious creationists out there, but the feminist who says gender has no basis in science threw me for a loop. Are there still people who think like that? I thought that was a relic of '70s hippie-dom.

"A Brief History of Rhyme: MC Hawking's Greatest Hits": Stephen Hawking: brilliant physicist, considered the heir to Newton and Einstein; crippled by Lou Gehrig's disease, he speaks thru a voice synthesizer. MC Hawking: his hard-core hip-hip alter ego. So someone gets ahold of the type of voice synthesizer Dr. Hawking uses and records a buncha profanity-laden rap songs. About science. Sounds like it might be funny for maybe 30 seconds, right? Guess again Einstein, this is genius - whoever is behind this knows both his science AND his hip-hop. The debut album "A Brief History Of Rhyme" is dripping with tunes both hilarious and (I hate to say it) even sorta educational..Funny, righteous, boomin' beats. "Entropy" is a parody of Naughty By Nature's "OPP" (with another dig at Creationism thrown in), "What We Need More of is Science" peels New Age kooks' caps back, and "UFT For The MC" is The Sex Pistols' "Anarchy In The UK" with new lyrics reflecting the Hawkman's quest for a Unified Field Theory. The real Stephen Hawking is aware of this project and has given it his blessing.

Athientertainment: a MusicForManiacs mix

(After clicking the above link, scroll down for a choice of downloading options. You may have to wait a few secs.)

1. The Galapagos Mountain Boys - Walk Down In The Water
2. The Voices Of Reason - The Evolution Chorus
3. Richard Milner - Darwins Nightmare
4. Dan Barker - Fleas
5. Dr. Stephen Baird And The Opposums Of Truth - Randomness Is Good Enough For Me
6. MC Hawking - Fuck the Creationists
7. Baba Brinkman - Creationist Cousins 2.0
8. Dan Barker - My God is in My Soul
9. The Voices Of Reason - Battle 'Tween Church And State
10. Richard Milner - Why Didn't I?
11. Dr. Stephen Baird And The Opposums Of Truth - I Have Seen Evolution With My Own Two Eyes